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Name of Course: AP English
LitERATURE & Composition |
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Name of Teacher: Mr. Dudek |
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E-Mail Address: sdudek@aptoshs.net |
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Voice Mail : 688-6565 ex 690 |
Room : E-212 |
Preparation Period: 4 |
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I |
Course
Description/Outline
(reflects needed skills) AP English Lit. is a college-level
Advanced Placement English class.
Students will read a selection of representative literature by
classical, Renaissance, and modern writers.
Classical and Renaissance works may include Sophocles’ Oedipus Rex,
and Antigone, and Shakespeare’s Hamlet, Othello, and A
Midsummer Night’s Dream. Later
works include Isben’s Hedda Gabler and A Doll’s House,
Conrad’s Heart of Darkness, Ralph Ellison’s Invisible Man,
Tennessee Williams’s The Glass Menagerie, Tom Stoppard’s Rosencrantz
and Guildenstern are Dead, August Wilson’s Joe Turner’s Come and Gone,
Albert Camus’ The Stranger (and/or Hesse’s Demian), and
Jean-Paul Sartre’s No Exit.
Poetry will be taught as a thematic complement to each major work, but
we will examine closely the metaphysical poets George Herbert and John Donne,
and several key poets of the Romantic and modern periods. Students will take
the AP Examination in the spring. Many of the selections above
are in the required textbook: Literature: an Introduction to Fiction,
Poetry, and Drama, 9th ed., by Kennedy & Gioia, ISBN
0-321-27260-9 In addition to the course books read
over the academic year, you will participate in the PVUSD Million Word
Challenge by reading one extra book of literary merit. You may submit your
own choice for approval or select a book from the 500+ books in my classroom
library. You will be assessed on your reading by a meaningful reading
assessment activity developed and submitted by you and approved by me. |
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II |
Materials
Provided (name of textbook,
other resources, video used,etc.) For textbook and supplementary reading see
course description above. Videos: selected parts of Othello, Hamlet, Rosencrantz
and Guildenstern are Dead, and Wit |
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III |
Materials
Required 1.
A notebook is
required for this class. The notebook will contain class notes, quick-writes,
information about homework, dialectic journal entries, timed writing
practices, style analysis exercises, and all papers that have been graded and
returned to you. The Advanced Placement Literature and Composition exam
demands that a student be able to read critically and write incisively for short
time periods (often 30 or 40 minutes for each section.) You will write a
number of practice essays, and those writings are important for you and other
students to evaluate and revise. Reviewing the language of the essay
questions and your responses is very important. One might even say that
practice and review with these exams are essential to several non-graded
assignments as part of a short portfolio on tragedy, comedy, satire etc., and
I’ll grade only one or two of the papers. 2.
A portfolio of
specific writing assignments is required. The first portfolio will focus on
prose analyses; the second will address free-response compositions; the third
will deal with poetry analyses; and the last two will deal with all three
types and a separate portfolio on satire. |
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IV |
Goals (knowledge to be acquired, technical skills, etc., ESLRs must be
referenced, standards alignment)
Excellence in writing about literature requires constant growth and
consistent interaction between teacher and student; therefore, you will
revise all written work, in response to my comments, as many times as it
takes to demonstrate that you have mastered the requirements of the
assignment. Initially we will discuss the goals of each proposed written
assignment in class and create an appropriate rubric as a frame of reference
for success. You will also be shown some examples from earlier classes of
student work that demonstrates excellence.
Prior to each revision I will write comments and a preliminary grade
on your paper. Typically, comments will focus on your efforts to begin with a
clearly stated thesis that accurately reflects all requirements of the
prompt. This in turn should be followed immediately by several carefully
selected examples of strong supportive textual evidence. Finally, your
response should include a concise conclusion that deftly summarizes the
essence of your evidence and reminds the reader of strong connection to the
thesis.
Your work will also be examined for effective word choice, suitably
varied sentence structure, sensible organization, subtle attention to
transition, incorporation of appropriate literary terms and comprehensive use
of SAT vocabulary.
Further instruction and feedback will occur as necessary in periodic
class discussions and written comments. This will include a final review of
the assignment and your constructive commentary.
A. Prose Analysis: Students will learn how to identify and
write about such prose elements as syntax, tone, organization, point of view,
psychic distance, diction, details, imagery, and many other narrative and
rhetorical techniques. ESLR, A, B, and
C B. Students will learn how to focus on 3-4 stylistic or
rhetorical elements by analyzing, and writing on, the prose analysis sections
of previous A.P. English Literature Exams.
ESLRs A, B, and C C. Poetry Analysis: Students will learn how to analyze poems
from pre-Renaissance to modern times, focusing on such elements as
metaphorical language (simile, metaphor, extended metaphor, synecdoche,
metonymy, etc.), poetic structure, tone, theme, and other elements. ESLRs A, B, and C D. Students will be able to address typical A.P. Exam
prompts by writing unified, well-written essays that address the three
elements of the prompt. ESLRs A, B, and C E.
Free-Response Writing: Students will be able to
write unified, well-written multi-paragraph essays on at least 5
free-response prompts (taken from previous exams). Using a variety of writing techniques and
drawing from extensive portfolio work, students will learn different ways of
addressing free-response prompts. ESLRs A, B, and C F. Students will learn time management
skills and techniques for answering the objective questions of the Multiple
Choice portion of the A.P. Literature Exam.
ESLR A G. Students will give five short, formal oral presentations
on prose analyses from several literary works they have read, movies they
have analyzed, and plays they have read and analyzed. ESLRs C * based on the California Language Arts
Content Standards and Aptos High Expected School-Wide Learning Results. Aptos
High ESLRs may be accessed at: www.aptoshs.net/resources/standards
. CA Content Standards are available at http://goldmine.cde.ca.gov/ci/reading.html
. |
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V |
Units of Study (activities) A. The course begins with a nine-week study centered on
Existentialism and The Individual’s Search for Personal and Social Identity.
We will look at age, race, gender, culture, and other aspects of identity in
Sophocles’ Oedipus Rex, Ellison’s Invisible Man, Glaspell’s Trifles,
and other works of prose and poetry. B. The second unit,
Poisoned Love, will focus on developing a working understanding of literary
concepts and terms that are essential to analyzing literary works and
regularly appear in the free-response and multiple-choice portions of the
A.P. Literature Exam. We will follow
the single theme of poisoned love through at least three works, culminating
in a 3-work comparison and contrast essay. C.
Poetry will be
introduced in the first semester to augment the thematic study of literature
(The search for Identity, Poisoned Love, etc.) In the second semester poetry will be
studied intensively for five or more weeks. |
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VI |
Methods of
Assessment
(may include tests, portfolios,
projects, essays, etc.) A.
Quick Writes or short essay responses B.
Quizzes on each
of the major works C.
Essays and
in-class timed writing D.
Oral
Presentations E.
Class
Participation F.
Mock AP Exams |
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VII |
Grading Policy All assignments are scored
according to points earned over points possible. All assignments earn points
towards quarter and semester grades. The approximate breakdown for final
grades is: Timed Writings & Formal Essays
= 40% Tests, Quizzes, & Homework = 30% Oral Presentations =15% Notes & Class Participation
=15% |
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VIII |
Class
Procedures
(missed assignments, make up work
assignment format) 1.
Students who
have been absent should contact another student in the class about missed
work or check the “Assignments” box of my Web page; however, the most
important part of an assignment may be related to in-class discussion and
interaction, and that can’t be made up.
Please remember your commitment to the contract for this class. Four absences per semester may result in
your being dropped from the class. 2.
Students must
make up missed quizzes, timed writing, or other assignments as soon as
possible or face a severe reduction in their grades. 3.
Students are expected
to complete every assignment on time. Development of analytical skills
depends on careful, thorough, and timely execution of ALL assignments. 4.
Late work will
be accepted only for an excused absence as defined by California Education
Code 46010. 5.
Assignments are
posted on my Web site at the end of the day. Work turned in late because of
an unexcused absence will be returned sans grade. 6.
A late homework
assignment loses 50% of possible points after one day. No credit is given for
work turned in more than one day late. However, you may avoid any penalty if
you e-mail an assignment to me on or before the due date and turn in your
hard copy on the first day of your return. 7.
An assignment
that has been graded and returned to the class is no longer available for
make up. 8.
All homework is to be typed in MLA format on letter-size bond
paper in a 12-point plain font. You may type on both sides of the paper. A
printable version of the MLA writing format is available in the
Resources/Links section of my Web page. 9.
Extra credit Work is available to
students who have completed all regular assignments. Its function is to
complement or perfect a grade not to supplement or make up for missed
assignments. |
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IX |
Behavioral
Expectations
(and consequences) The guidelines for
behavior and attendance established by Aptos High, PVUSD, and The State of
California will be followed in the classroom. Steps for mitigating and
discouraging behavioral problems will be followed accordingly. ·
Arrive on time and begin working
immediately · Bring
all necessary materials (including homework) every day. · Respect
for others is absolutely essential for success. We are all the same in many
different ways. An open mind is a key to learning; a closed mind is a coffin. · Develop
the skill of active listening. It is just as vital as stating your own views.
In fact, it may help you to clarify your own thoughts. · Periodic
review is essential for outstanding performance and understanding newly
acquired learning. In other words, read things MORE THAN ONCE. It takes
repeated exposure to embed new knowledge in your memory. · The
classroom is not a snack bar or a beauty salon or an electronic arcade. Keep
food, gum, beverages, electronic devices, and makeup out of sight at all
times. · Remain
seated until the period ends with the sound of the passing bell. · Your queries and
contributions related to class work are welcomed and encouraged. Unsolicited
comments and conversations are not. You will lose five participation points
per occurrence. |
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I have read and understand the Course
Syllabus for Mr.
Dudek’s AP English Literature class Parent/Guardian
Signature
___________________________________ DATE _____________ STUDENT NAME (print) ____________________________________________
PERIOD ____________ |
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