Alliteration
the
repetition of the same sounds, usually initial consonants, in neighboring
words.
Assonance
the
repetition of identical or similar vowel sounds in neighboring words.
Blank
verse poetry
written in unrhymed iambic pentameter--not to be confused with free verse (see
below).
clipped, explosive delivery,
or words that contain a number of plosive consonants.
Cadence
the
rising and falling rhythm of speech, especially that of the balanced phrases in
free verse or in
prose. Also the fall or rise in pitch at the end of a phrase or
sentence.
Caesura
a pause
in a line of verse, often coinciding with a break between clauses or sentences.
Conceit
an
unusually far-fetched or elaborate metaphor presenting a surprisingly apt
parallel between two
apparently dissimilar things or
feelings.
Connotation an association or
additional meaning that a word, image, or phrase may carry apart from its
literal definition.
Consonance
the
repetition of identical or similar consonants in neighboring words whose vowel
sounds are
different (e.g. coming home, hot
foot).
Couplet
two
consecutive lines of poetry that rhyme and that are written to the same meter,
or pattern of
stressed and unstressed
syllables. For example:
Three
be the things I shall have till I die:
Laughter
and hope and a sock in the eye.
-Dorothy Parker
Dactyl
metrical
foot of three syllables, one accented followed by two unaccented.
Didactic
Poem a
poem that is intended to teach the reader a moral lesson or impart a body of
knowledge.
Dirge a funeral song of
lamentation; a short lyric of mourning.
Dissonance
harshness
of sound and/or rhyme, either inadvertent or deliberate.
Dramatic
monologue a
kind of poem in which a single fictional or historical character other than the
poet speaks
to a silent audience of one or more persons. Such poems do not reveal the poets own
thoughts, but the mind of the impersonated character.
Elegy
an
elaborately formal lyric poem lamenting the death of a friend or public figure,
or serious reflection on
a serious subject.
End-stopped
line a
line brought to a pause at which the end of a verse line coincides with the
completion of a
sentence, clause, or other
independent unit of syntax. It is the
opposite of enjambment.
Enjambment
the
running over of the sense and grammatical structure from one verse line or
couplet to the next
without a punctuated pause.
Epic
a long
narrative poem celebrating the great deeds of one or more legendary heroes in a
grand style.
Euphony
a
pleasing smoothness of sound, perceived by the ease with which the words can be
spoken in
combination. Adjective: euphonious.
Foot
the basic
unit of rhythmic measurement in a line of poetry.
Free
Verse poetry
that is not rhymed (usually) and free of meter to resemble natural speech.
Heroic
Couplet two
end-stopped iambic pentameter lines rhymed aa, bb, cc, with the thought usually
completed
in the two-line unit.
Hexameter
a line
containing six metrical feet.
Iamb
a
metrical foot consisting of two syllables, an unaccented syllable followed by
an accented, as in the word
invade.
Image
language
referring to something that can be perceived through one or more of the senses.
Imagery
the
making of pictures in words.
In
medias res Latin
for the middle of things. The term
describes the narrative practice of beginning a
story in the middle of the
action to involve the reader, and then using one or more flashbacks to fill in
what led up to that point.
Lyric
Poem a
usually short, personal poem expressing the poets emotions and thoughts.
Measure
an older
word for meter. The term is also used
to refer to any metrical unit such as a foot.
Meter
the
pattern of measured sound-units recurring more or less regularly in lines of
verse.
Octave
a group
of eight verse lines forming the first part of a sonnet; or a stanza of eight
lines.
Ode
an
elaborately formal lyric poem, often in the form of a lengthy address to a
person or abstract entity, always
serious and elevated in tone.
Pastoral
a poem
dealing with shepherds and rural life.
Pentameter
a line of
five feet. Iambic pentameter, normally
10 syllables, has had special status as the standard
line in many poetry forms.
Persona
the
assumed identity or fictional I assumed by a writer in a literary work.
Prosody
the study
of sound and rhythm in poetry.
Quatrain
a verse
stanza of four lines, rhymed or unrhymed.
Refrain
a line,
group of lines, or part of a line repeated at regular or irregular intervals in
a poem.
Rhyme
the
similarity of sound between two words.
Ψ
End rhyme rhyme that comes at the end of a line of poetry.
Ψ
Internal rhyme rhyme that comes within the line.
Ψ
Feminine rhyme two-syllable rhyme.
Ψ
Forced rhyme meaning in the poem suffers because of the stilted nature of the
rhyme
Ψ
Masculine rhyme one-syllable rhyme.
Ψ
Exact rhyme identical rhyme between two words (feature/creature)
Ψ
Slant rhyme (proximate, near) inexact rhyme between two words
Ψ
Eye rhyme rhyme based on spelling rather than sound (bough/though)
Rhythm
the
patterned flow of sound in poetry and prose.
Sound devices create rhythm.
Ψ
Sprung rhythm measured by counting only the accented syllables and by varying the
number of unaccented syllables
Scansion
analyzing
the meter in lines of poetry by counting and marking the accented and
unaccented syllables,
and dividing the lines into
metrical feet.
Sestet
a
six-line poem or stanza.
Sonnet
a
fourteen-line lyric poem often written in iambic pentameter.
Ψ
English sonnet (a.k.a. Shakespearean sonnet) rhyme scheme of abab, cdcd, efef, gg:
3 quatrains + a couplet
Ψ
Italian sonnet (a.k.a. Petrarchan sonnet) rhyme scheme of abba, abba, cde, cde: an
octave + a sestet
Stanza
a section
or division of a poem, resembling paragraphs in prose.
Stress the emphasis placed on a word or syllable.
Trochee a metrical foot consisting of two syllables, an
accented syllable followed by an unaccented syllable, as in
the
word fortune.
Verse
poetry as
distinct from prose. The term is
usually more neutral than poetry, indicating that the technical
requirements of rhythm and meter are present, while poetic merit may or
may not be present.
Villanelle a lyric poem made up of five stanzas of three lines,
plus a final stanza of four lines.