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Daily These
shriveled seeds we plant, These
T-shirts we fold into perfect white squares These
tortillas we slice and fry to crisp strips This bed whose covers I
straighten This envelope I address This page I type and retype The days are
nouns: touch them
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Woman Work I've got the children to
tend —Maya Angelou |
A Blessing
Just off the highway to
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their
happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more, they begin munching the young tufts of spring in the
darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
~ James Wright ~
Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest
land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
—Emily Dickinson
in Just—
in Just—
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee
and eddieandbill come
running from marbles and
piracies and it's
spring
when the world is puddle-wonderful
the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and
it's
spring
and
the
goat-footed
balloonMan whistles
far
and
wee
~e.e. cummings~
The Base Stealer
Poised between going on and back, pulled
Both ways taut like a tightrope walker,
Fingertips pointing the opposites,
Now bouncing tiptoe like a dropped ball
Or a kid skipping rope, come on, come on,
Running a scattering of steps sidewise,
How he teeters, skitters, tingles, teases,
Taunts them, hovers like an ecstatic bird,
He's only flirting, crowd him, crowd him,
Delicate, delicate, delicate, delicate-now!
—Robert Francis
I Wandered Lonely as a Cloud
I
wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils,
Beside the lake, beneath the trees
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee: -
A poet could not but be gay
In such a jocund company:
I gazed -and gazed -but little thought
What wealth the show to me had brought.
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills
And dances with the daffodils.
—William
Wordsworth
A Haiku is a poetic form and a type of poetry from Japanese culture. Many themes include nature, feelings, or experiences. The most common form for Haiku has three short lines. The first line usually contains five syllables, the second line seven, and the third line five. A Haiku doe not rhyme. The intention of a Haiku is to "paint" a mental image in mind of the reader. Therefore, the challenge of Haiku is to put the poem's meaning and imagery in the reader's mind in only 17 syllables over just three lines of poetry!
**Furthermore, many Haikus possess a lot of imagery. Analyze these poems for imagery.
I look into a dragonfly's eye
and see
the mountains over my shoulder.
—
tsuki ni
utsuru
tonbo kana
The Rose
The red blossom bends
and drips its dew to the ground.
Like a tear it falls
—Donna Brock